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ACADEMIC PROGRAMS

125

Birmingham-Southern College Catalog 2015-2016

AR 331 Relief Printmaking (1)

A studio experience in the oldest and one of the most expressive and

direct printing processes. This course develops an individual’s competency

conceptually and technically in woodcut, linoleum and other relief

processes. Prerequisite: AR 111 or AR 150. Fall, Spring.

AR 332 Serigraphy (1)

A studio experience in printmaking’s youngest traditional technique,

commonly known as screenprinting. This course develops an individual’s

competency conceptually and technically in the water-based processes of

blockout, drawing fluid, crayon resist and photo emulsion. Prerequisite: AR

111 or AR 150. Fall, Spring.

AR 333 Digital Printmaking (1)

A studio experience in printmaking’s newest technique. This course uses the

computer as a tool to create and manipulate digital images, and explores

contemporary and traditional printmaking techniques to produce printed

editions of these digital images. The course develops an individual’s

competency conceptually and technically in the use of digital

technology to create prints in three traditional processes: woodcut,

serigraphy, and photo etching. Prerequisite: AR 111 or AR 150. Fall, Spring.

AR 334 Lithography (1)

A studio experience in printmaking’s most mystical and scientific

technique. The course develops an individual’s competency conceptually

and technically in stone lithography. Prerequisite: AR 111 or AR 150. Fall,

Spring.

AR 353 Drawing and Beyond: Making Connections (1)

An exploration of the relationship between drawing and all other areas of

two- and three-dimensional art. The course considers the drawings and

subsequent work in painting, printmaking, sculpture, and photography of

prominent artists such as Giacommetti, Twomby, Rembrandt, Oldenburg,

Van Gogh, Christo, Diebenkorn, Hockney, Meyer, Sontag, Michals. Figure

laboratory required. Prerequisite: AR 250.

AR 354 Advanced Figure Drawing (1)

An exploration of the anatomy and proportions of the human figure as it

relates to the artist. Skeletal anatomy as well as the muscular anatomy and

the body fat masses on the male and female body will be examined. Facial

features and proportions will also be addressed with portraitures. Old

Masters’ and contemporary artists’ work will be studied. Figure laboratory

required. Prerequisite: AR 250.